Draws:

• Seven of Hearts (Trills)

• Seven of Spades (Retro Sounds)

Most of the instruments here are generated with LMMS's NES sound chip emulator. I couldn't make a good snare sound, so I took a snare sample and bitcrushed it; I also used the Game Boy sound chip emulator for the melody because it sounded better.

Draws:

• Six of Hearts (Blue Notes)

• Two of Spades (Vocals / Speech)

The speech sample used here is taken from an old educational film about posture.

Draws:

• Ace of Spades (Non-Musical Sounds)

• Six of Clubs (Omit Notes)

Building your song around a creaky door probably shouldn't work, but I kind of like the way it sounds.

Draws:

• Queen of Clubs (Altered Chords)

• Jack of Spades (Frequency Modulation)

Technically this uses phase modulation for most of the non-drum sounds, but I'm pretty sure PM and FM get mixed up a lot.

Draws:

• Joker (Draw two more cards)

• King of Spades (Step Synthesizers)

Jack of Clubs (Planing)

Ten of Hearts (Arpeggio)

Not much to say about this one other than moving a nice chord voicing around is fun.

Draws:

• Four of Clubs (Modulate!)

• Six of Spades (Text to Speech)

It turns out looping phrases over and over is really fun.

Draws:

• King of Hearts (Anticipations)

• Three of Clubs (Subverted Resolution)

Couldn't figure out how to subvert a resolution during the song, so I just had the song end on the leading tone. That's a fairly subverted resolution, I'd say.

Draws:

• Eight of Diamonds (Walking Bass)

• Queen of Spades (Hocket)

I'm not sure what a "cheerful regret" would be.

Draws:

• Five of Clubs (Four-Chord Loop)

• Five of Diamonds (Off the Grid)

The off-time snare drum reminds me of someone drifting in and out of sleep.

Draws:

• Ten of Clubs (Circle of Fifths)

• Eight of Hearts (Call and Response)

The chord progression here is what's sometimes called a plagal cascade, where you just keep walking down the circle of fifths. Here, we go from F to C to G to D to A to E to B to F♯. F♯ is equivalent to G♭, which resolves to F, letting the progression loop naturally.

Not sure the melody qualifies as being call and response. Ah well.

Draws:

• Seven of Diamonds (Backbeat)

• Three of Spades (Drastic Change in Sound)

I had the basic idea for this when I started making the album, but I couldn't fit it with any of the prompts. The 303 line here is a randomly generated twelve-tone row, meaning it contains all twelve notes. The bassline in the piano segment is that same twelve-tone row. Harmonizing a random sequence of notes is a fun exercise.